top of page

GEAR

May 2026 Update

Hello! Here is some insanely nerdy information about my current studio setup

My website is a constant Work in Progress. This page will update periodically.

For the past year I have mainly been working on an Eletebook 8740w workstation Laptop released in 2010. It is the best laptop from that era apparently. I have also been using an HP monitor in profile mode not landscape which i find to be very interesting being able to display things in a different way. The daw of choice for this set up is Logic 5.5.1. This is the same daw I used to make most of my biggest early tunes. The fact that I can load the old tunes in the same state that they were made is just amazing. Being able to see how simple it was back in the 2000s. 

In logic 5.5 there are limitations but in the limitations are the keys to some creative workflow. One of the key things that is missing in comparison to modern DAWs is Offline Bounce. Everything must be bounced in real time. This includes doing stems and bouncing the final masters. This might sound like a complete nightmare but in fact it is liberating. You have to listen to the tune when doing the final bounce and also when stemming out the parts you have to make sure you are satisfied with the FX and edits. I am using a small number of plugins VSTs with the DAW. As I dont entirely trust that I will be able to load the plugins in the far future I always commit to audio for parts before even the final mix or stem out so this is also a long process. I guess what I am saying is that it is way longer to make music this way but it really is so much better. 

The sound of the old software: 

The sound of logic 5.5 is in my humble opinion way better than modern logic. As far as I know they totally re wrote it from pretty much the ground up when it went from Version 7 to version 8 and the introduction of 64 bit plugins. I always noticed a change but thought that new must be better. I now know that it really was not better. The low end and the mids are so much clearer and crispy. Every tune I make on there sounds tight like my old stuff. It was so soul destroying working on modern DAWS and not being able to achieve the same feel and tone that I used to have and now I just do it all day. with the old DAW you can have 3 parts running like some Sounds, Drums and Bass and it sounds like a good tune. There is no messing around with a million plugins.

 

Things of note. The old version of the Logic Overdrive Plugin is completely different to the new version. I have done side by side comparison and in my opinion it is night and day better. The EQ also is very different sounding. 

Plugins I am using: 

Kontakt version 2.2 

Z3ta 

Massive v1.5

Waves Diamond Bundle (some of them don't work) 

Key waves plug I am using all the time are: 

Rvox

Rchan

C4

Lin EQ

Lin MB 

Rverb

I got a version of TAL sampler working in the old DAW too. it is slightly buggy but has got Legato which is something that kontakt cant do :/ Wtf is that all about... 

Now I am in the work flow of the old logic there are so many workflow things that are actually good. It takes time to go back to old software but get this. I can run way more samplers and synths than I can on my new computer. Yeah my new computer is not the best but because the software back in the day was designed to work with really crappy pentium computers it is insanely optimised and streamlined. For example kontakt 2.2 is 29 MB in total for the whole package. I think there is a lot to be learned from this by new software companies. 

Back in the day there was no Juce I am not saying that Juce is a bad thing but I think people are lazy and especially plugin developers, if you can just plug in a pre cooked algo for your EQs and other things you are going to do that. Back in the day every plugin had to be coded from scratch including the DSP and this is why every plugin sounded different. 

​Latest Edit: Thursday 21 May 2026 in the 2 hours I have while my 18 month old son has his 2h nap time. 

April 2025 Update

A lot has changed since the last time I updated this page. I have moved my studio into a garage conversion from the conservatory I was in before. I have quite a lot less space to work in but there are a number of big advantages to the new space like the fact that it is not extremely hot in the summer and cold in the winter and the disconnection from the house. The sound in this room is really good also. My Adam P22a Monitors work really well in this space and the sweet spot is very good throughout the whole range of frequencies. 

there have been quite a few changes in terms of Gear I am using now and I am very excited about the direction my music is taking. 

Changes include: 

• Making tunes using Logic 5.5 on the PC as my main DAW on an old PC Laptop that cost me £80 

• Making tunes on Hardware only with no DA/AD converters between the samplers and Synths 

• There are a few new samplers in the studio now. I bought an EMU E6400 Ultra through a friend. I started making music on EMU samplers back in the day on an old Esi 4000. I always wanted a big boy EMU sampler and now I have one of the best they ever made. I could write a whole page on this sampler alone (and just might have to do that) 

• 2 more Large EMU Samplers. DJ Hazard was kind enough to give me 2 of his old EMUs An e-synth which is not currently part of the system and an E6400 Emulator which is like the older brother to the Ultra but with no FX and Less memory. It does have a sound though for real. 

I am still working on the current setup and will take pictures and write more about it when I feel it is done enough to take some pictures. My studio setups are never that photogenic just because they are working environments, function over form. 

2024 and before...

Throughout the 20 years I have been making music I am constantly making changes and updating the configurations of the studio to make the perfect workspace for my needs. 

There are many challenges when trying to design the perfect configuration in terms of connections, routing and usability.

Integrating hardware into the setup is actually a fairly new addition to my setup.

The first tunes I made were all created on hardware because that was the only option available at the time as I came into the production game just as logic and plugins started to become available to producers. 

As soon as I could I went in the box and most of my biggest tunes are all in the box, I have to remind myself of this every now and then.

Currently I have a hybrid setup with every piece of gear attached to its own channel on the Antelope 32 channel sound card allowing me to use hardware gear as if it was a plugin in my daw. All the gear is in a 42 unit server rack. Having the ability to switch off the whole hardware side to the studio and just work in the box again really has brought me the ability to focus on making tunes instead of getting distracted by hardware, but also gives me the option to chuck in some hardware when needed in the workflow. 

The previous setup to this one was centred around a Midas Venice 24 mixing desk and a Midas Venice 32 Mixing desk all built into a custom desk but I have abandoned this for the hybrid approach mainly for space saving, productivity and ergonomic reasons. Even though the mixer sounded great with the 24 channels of summing and all the hardware going into the 32 channels on the second desk it was not getting as much use as I thought it would and was taking up way too much space. I ended up swapping the 32 channel desk for a bunch of incredible acoustic treatment and keeping the 24 channel desk in storage for the future. 

Current Setup

Previous Setups

Previous Setup Video Breakdown

Gear List:

Computer:

2011 Mac Pro. 6 core, 16 gb ram

Daws:

Bitwig, Ableton, Logic Pro, Reaper.

Plugin Instruments: 

Native Instruments - Massive, Kontakt, FM8

Vital Synth, Serum Synth, Ana2 Synth, Vengance Avenger.

I use alot of the Ableton and Bitwig Stock plugins too.

You can buy my Presets

for Vital, Serum, Massive, FM8 and Samples on:

presetfood.com

Plugin FX I love:

Little Alter Boy, Eventide H3000 Plugin, Seventh Heaven Reverb,

True Iron, Disperser, Waves R-Vox and R-Desser, K-Clip, V-Clip,

Fab Filter Pro-Q3, Pro-L.

Conversion:

RME Adi2Pro D/A, Antelope Orion+ 32, RME Fireface 800.

Monitoring:

Adam P22A Monitors

Hardware Samplers:

Akai S6000, Akai S5000, EMU ESI4000, Roland VP9000

Hardware Synths:

Virus Indego, Virus Rack XL, Moog Rouge, Roland JV-1080.

FX:

Digi Tech TSR-24, Lexicon MPX1, Lexicon MX1, BBD-320.

Compression:

Hand Made 1176 and SSLG Bus Compressors, Joe Meek SC2.2

Channel Strips:

Focusrite Platinum Track Master x2, Hand Made NEVE-1290 Clone.

Mics:

Neumann U87-AI, Se Gemini ii, SM 57, SM 58, SM7B

Midi:

AMT8 Midi converter.

HID:

7 Stream Decks for Daw Keyboard Shortcuts, Kensington Trackball Mouse.

Gear Modification

I have made extensive modifications to gear that I own. Some modifications have been needed because gear breaks and some are to extend functionality.

 

Modifications I have made include.

 

Akai S6000 Modifications:

  • Swapped out the old SCSI hard drive for a SCSI2SD card board with a 64GB SD card.

  • Added USB Card Option to be able to load samples and patches to and from an old laptop using AK.sys software.

  • Bought a second screen just in case one of the screens dies.

  • Got a super long extension cable for the removable screen.

Virus Indigo Keyboard:

  • Changed out the screen for a super bright OLED display.

Definitely recommend documenting the process as you go to remember where all the cables go as you disassemble.

 

Digitech TSR-24:

  • Upgraded the OS by swapping out chips to get extra functionality.

 

Roland JV-1080:

  • Swapped out the screen for a bright OLED in orange colour.

 

EMU ESI4000:

  • Replaced the data encoder pot because it was completely worn out. I sourced an old ESI32 for parts.

  • Changed the screen for an OLED.

  • Added SCSI2SD giving me 8GB of memory built in to the unit.

bottom of page